Category Archives: Comics

Graphic Content – Attack on Titan

List Item:  Read half of the 1001 Comics You Must Read Before You Die
44/501Title: Attack on Titan
Creator: Hajime Isayama
Years: 2009-onwards
Country: Japan

Here we are with one of the final entries from the 1001 Comics list that doubles up as an adaptation on the anime list. Since the this show is now into its third season and has been able to maintain it’s huge popularity for years. So, I figured it was time for me to give this bestselling manga a go.

In a nutshell, Attack on Titan takes place in an alternate future where humans have been nearly wiped out by the ‘titans’ – mindless human-like giants whole sole goal is to eat humans. As the title would suggest, the main narrative is around the fight back of the humans against the titans, having been penned into their walled city for over a century.

Honestly, I am not sure if I have ever read a comic with so much graphic violence. The titans themselves are so incredibly creepy because their design is near the bottom of the uncanny valley… and they literally eat humans alive. I don’t think I have ever seen so much just relentless slaughter and dismemberment in a comic. Sure, Parasyte had a lot of body horror, but the terror on the faces of the characters as they’re being eaten just makes it that much more freaky.

As much as I was enjoying reading Attack on Titan, I made the choice to quit reading it around Chapter 50. You see I realised just how much better (and in some places disturbing) this would be on the screen. Don’t get me wrong, I thought the Attack on Titan was excellent and I’ll probably start reading this once I’ve watched all the adaptations… but I don’t want everything spoiled before I start watching. How soon will that be… honestly I have no idea at this point.


Graphic Content – The Gumps

List Item:  Read half of the 1001 Comics You Must Read Before You Die
43/501Title: The Gumps
Creator: Sidney Smith
Years: 1917-1959
Country: USA

With a starting date of 1917, it’s going to be difficult to find an older comic that is as easily findable online. Back in its day, The Gumps was a very popular syndicated comic about a middle-class family and their friction. It’s said to straddle the world of the comedic and melodramatic, so it should be perfect for me. Right?

Well, no. I don’t know if it’s the comic not ageing well or my not enjoying the somewhat longwinded way The Gumps goes about storytelling, but this comic really didn’t do much for me. It’s an interesting idea to have a comic with protracted storylines that spin out common/mundane topics. The problem that I had is just how long these comics take to reach a punchline and, even then, those punchlines don’t always work.

Still, this is an interesting part of comic history as The Gumps was one of the comics that helped to spearhead the idea of the syndicated comic rather than exclusives. It’s something that would have likely happened eventually, but credit where credit is due.

If you want to have a go at The Gumps yourself, here is a link to an online archive featuring a bunch of strips:


Graphic Content – Nana

List Item:  Read half of the 1001 Comics You Must Read Before You Die
42/501Title: Nana
Creator: Ai Yazawa
Years: 2000-2009
Country: Japan

Whilst Nana hasn’t officially ended, after being on hiatus for nearly a decade it is probably time to call time of death on this one. To be able to run a manga series for 9 years is no mean feat in and of itself, it’s just that how would you come back to this after so long?

Anyway, I’m straying from the point which is that I really enjoyed reading Nana. As with most things there came a point where I had to stop binge reading it and take a break, which for me was Volume 17, so I am not able to comment on how Ai Yazawa left it before she put the manga on hiatus. Still, I think this leaves me in a decent enough position to comment.

At the beginning, Nana is a manga about the relationship between two young woman who move to Tokyo and share the name Nana. It’s one of those ‘odd couple’ style storylines where one of them is punky and outwardly more self-assured, whilst the other likes cute things and is fairly needy. There were times where I found myself laughing out loud and so really began to fall for the characrers… then the manga began to change.

I get that a long-running manga needs to change things around to keep things fresh, but I began to tire a bit at the end when the character roster got so large that you didn’t have a lot of time with the original Nanas. Similarly, you could go volumes of issues without the two Nanas interacting with each other, which is what sold me on this manga in the first place. The move also between a comedy drama about friends to a more dramatic manga about the trials and tribulations of being a band, whilst a refreshing change to begin with, just made me feel like Nana had been written into a corner that it couldn’t find its way out of.

This will not be my last time with Nana as the anime adaptation currently features on another one of my lists. I am actually looking forward to watching this as the cut-off point will be way before the time I stopped reading – meaning that the vast majority will be the comedy-drama that I came to love.

Graphic Content – Giraffes in My Hair

And the award for the comic with the weirdest name goes to…

List Item:  Read half of the 1001 Comics You Must Read Before You Die
41/501Title: Giraffes in My Hair
Creators: Carol Swain and Bruce Paley
Years: 2008
Country: USA

Well honestly Giraffes in My Hair is a bizarre title for some comics. Then again, it’s because of the title that this was picked up as the next comic. I didn’t even get that this was a reference to song lyrics, I just figured this was going to be a surreal comic involving a lot of drugs or hallucinations. At least I was a little bit close on that one.

Giraffes in My Hair is a collection of comics telling the life of Bruce Paley between the ages of 18-30. We see him dabble in a lot of drugs, dodge the Vietnam draft, get imprisoned on numerous occasions and eventually get his life together. Honestly, it is a wonder that he survived all of this and lived to be able see this put onto paper.

The stories that Paley tells aren’t out of the ordinary when it comes to debauched tales of the 1960s and 1970s. A lot of what he experienced are things that many authors and film makers (contemporary and modern) have been telling us for decades. Some have an interesting spin on things – like when he ended up in court for stealing a watermelon, or how Disneyland had stricter entry rules than Mexico – but it mostly feels well trodden.

Giraffes in My Hair is the story of a man who survived a lot of drink and drugs and managed to find a way to mature. However, for all the people that he managed to outlast (including the Vietnam soldiers who died whilst he dodged the draft with a fake mental illness) there is little remorse or survivors guilt. Hell, a friend of his ends up traumatised after being in a Moroccan prison after an ill fated attempt to smuggle drugs and all Paley can do is think about the money he lost. He has no self-awareness and, ultimately, that makes him unlikable. At least to me.

Whilst this comic wasn’t exactly my cup of tea, it did whet my appetite for more comics before returning to the written word. Going to be moving onto I Hate Fairyland (I saw this on sale in Waterstones and couldn’t resist the twisted artwork) and then will see where I end up.

Graphic Content – Mushishi

List Item:  Read half of the 1001 Comics You Must Read Before You Die
40/501Title: Mushishi
Creator: Yuki Urushibara
Years: 1999-2008
Country: Japan

Well, this may be one of the most magical/mysterious manga that I have ever read. It’s described on Wikipedia as being a supernatural detective story which, whilst true, doesn’t really get to the heart of it.

Mushishi is set a few centuries ago in rural Japan where otherwordly creatures, known as ‘mushi’, exist. The series described mushi as being life in it’s purest form, so pure that few people can actually see them and the mushi themselves take on magical properties. The titular character (a mushishi named Ginko) is a specialist in mushi that travels around solving mushi-related problems.

The whole manga plays like a supernatural procedural with Ginko coming into a village and solving their mushi related problems. This can encompass everything from helping with joint pain to helping people deal with the psychological consequences of their loved one being resurrected.

Whilst there are common themes of light/dark, nature and blindness throughout the 10 volumes, it doesn’t feel that there was any real repetition in the cases found in Mushishi. Whilst it’s not true that every case is unique, there is enough in the variation, development and outcomes to keep it feeling fresh. It also helps that every story has a different type of mushi at the centre.

8 years ago I asked some friends at university about anime that I just had to see. Thanks to this I fell in love with Genshiken and started watching films by Satoshi Kon. Mushishi is the final recommendation from this list I have yet to see and now, since I have read the manga, I will be able to cross this off. Soon. I know I just finished reading this, but I have to see how they dramatised these stories.

Graphic Content – Tex

List Item:  Read half of the 1001 Comics You Must Read Before You Die
39/501Title: Tex
Creator: Gian Luigi Bonelli and Aurelio Galleppini
Years: 1948 onwards
Country: Italy

Before I start on this, it’s worth noting that in the 1001 Comics book it has this comic nestled under 1969. I am guessing that my reference book decided to use the date of when this comic was either first translated into English or was first released in the USA. In any case, having read some of the earlier issues of Tex it falls very much into the trappings of a 1940s comic book.

Tex is the first comic I’ve read that falls into the western genre. What sets this apart from the other western comics on the list is that it’s also a spaghetti western with it being originally written in Italian and being based on American western movies. This might go a long way to explain how the depiction of Native Americans and other non-white races feels progressive by the standards of 1940s America. Sure, it’s still cringeworthy at times with most non-whites being subservient to white people and/or being referred to with weird epithets… but it’s still better than other comics at the time.

When you read Tex you’re presented with exactly what you expect – swashbuckling (or whatever the cowboy version of that word is) adventures with bandits, gunfire and peril. Tex also gets his kit off a lot since he is regularly captured and stripped because, you know, cliffhangers. I point this out not because it’s particularly erotic, but because it becomes hard to differentiate the titular Tex from other characters when he isn’t wearing his trademark yellow shirt.

As a comic book it’s fine, but after a while you see how templated a lot of these stories are. It began to get a bit silly the third time the villain was a masked version of a character that Tex had just met, but Tex was unable to connect the dots. It stands to reason that Tex was not a comic meant to be binged the way I did, but that’s the way it goes.

In the end, Tex is fine to read a bit of but there’s plenty of better comics out there.

Graphic Content – Parasyte

List Item:  Read half of the 1001 Comics You Must Read Before You Die
38/501Title: Parasyte
Creator: Hitoshi Iwaaki
Years: 1988-1995
Country: Japan

I like to think that the comic choices that myself and the hub make say something about us. For example, he picked out Mopsy for us to read (make of that what you will) and I opted for Parasyte. I mean, it helped that this was also on my anime list… but I enjoyed this incredible contrast too much to not draw attention to it.

So what is Parasyte all about? Well, think of it as a sci-fi horror manga about parasites that are taking over human bodies and trying to take over the world. These parasites, once inside the human, have a hunger for human meat and are able to attack by turning parts of their body into fast moving knives.

At the centre of this is high-schooler Shinichi who, thanks to a freak accident, is infected by a parasite… but the infection stops at his right elbow. This leads to the main dynamic of the manga as the shy high school student interacts with the parasite infecting his right hand (later named Migi) and is forced to take part in the human battle against the parasites.

What really made this manga an enjoyable read for me was the body horror angle. You have heads unfurling into teeth, blades and other weapons, people being sliced into pieces… it’s a glorious gorefest that I can appreciate as a manga or an anime but would turn my stomach if it was done as a live-action.

Over the course of 64 chapters I was utterly absorbed in this battle between human and parasite to the point that it felt like it ended too soon. I ended up reaching the latter chapters and it began to see that this was wrapping up, if I’m honest, a bit too easily for the humans. Would it have been good to see the parasites spreading outside of Japan and the world being on the verge of destruction? Probably, but then again this wold have lost some of the charm of keeping this very much a local phenomenon with Shinichi as the emotional core of the piece.

I paint it this manga as being just a gorefest (and it has a lot of gore), but there are flashes of humour and real emotion. The deathcount in a manga like this is high and the cost that it takes on Shinichi becomes an interesting measure of how much he is being effected by the (rather friendly) parasite that he has been stuck with.

Of course, I am now interested in how this translated onto the small screen. But I think I’ll have to first make my way through some of the sports animes before I get to that. At least I’ll have something to look forward to.

Graphic Content – Mopsy

List Item:  Read half of the 1001 Comics You Must Read Before You Die
37/501Title: Mopsy
Creator: Gladys Parker
Years: 1939-1965
Country: USA

It isn’t too hard to believe that there weren’t many female comic writers back in the 1930s, hell there aren’t enough of them right now. This alone explains the inclusion of Mopsy on the 1001 comic book list and why it is influential in of itself.

Considering that this comic peaked in popularity in the 1940s and 50s, Mopsy is on the road to being feminist. I say on the road because Gladys Parker made the conscious decision to have the character of Mopsy not be too intelligent as it would negatively impact the success of the comic.

Still there are ways that Mopsy helps to break some of the moulds. Following the example of Katherine Hepburn there are many times that Mopsy walks around in trousers. We also see her hunting, fishing and playing sports as well as some more stereotypically feminine pursuits.

I’m not sure how much ground, if any, this broke – but it feels like something I haven’t seen before. Mopsy is self-determined and independent. Sure she spends a lot of the time looking for a man… then again so would I be if I hadn’t met my husband 9 years ago. It’s an interesting comic to read for the historical context alone.

Graphic Content – Great Teacher Onizuka

List Item:  Read half of the 1001 Comics You Must Read Before You Die
36/501Title: Great Teacher Onizuka
Creator: Tooru Fujisawa
Years: 1997-2002
Country: Japan

After the earnestness of The Sojourn and David Copperfield it was a bit of a culture shock to enter the world of Great Teacher Onizuka. Honestly, I don’t know if there was any amount of preparation that could have lessened this.

Great Teacher Onizuka is a multi-award winning comic in its native Japan, with a critically acclaimed anime adaptation (which I will be watching for my anime list) and some fairly successful live-action versions. It is also one of the most sexist things I have ever read. The number of frames in this comic depicting characters looking up skirts, squeezing arses and in various states of undress made me feel genuinely embarrassed to be reading this on a commuter train.

And yet. There was some kernel of truth in this comic book. Yes the sexist behaviour is deplorable, but it is a recognised problem in Japan. This leads us to what has probably made Great Teacher Onizuka so successful – it acts as a satire of both actual Japan and Japan in fiction.

Delinquency, flawed school systems, adults yet to lose their virginity, the oversexualisation of Japanese schoolgirls. All are things that are rife for satire, it’s just that Great Teacher Onizuka does so in a very ham-fisted way. I know of the whole idea of the only one being able to mock the king is the jester, but this is beyond the pale.

Storywise. there isn’t too much to Great Teacher Onizuka. A delinquent wants to become a teacher so he can be around attractive young girls. Along the way he finds that he actually wants to be good at this and decides to be the teacher he wished he had had as a kid. Not a bad turn of events and you do have some legitimately weird and funny set pieces.

It’s just… I am guessing that I am not the audience for this. I also wonder if watching this as an anime in the comfort of my own home would be the better way to watch this. I guess I’ll get their eventually.

Graphic Content – The Sojourn

List Item:  Read half of the 1001 Comics You Must Read Before You Die
35/501Title: The Sojourn (Le Sursis)
Creator: Jean-Pierre Gibrat
Year: 1997
Country: France

After the madness of Jojo’s Bizarre Adventure it was sobering to get to a graphic novel like The Sojourn. It helps to prove the point, if it needed proving, that the medium of graphic novels can deal with the same serious subjects as regular novels.

The story starts with a man having escaped from enforced labour in World War Two by jumping off a train. Having been declared dead, Julien takes up refuge in the attic of an old building and watch as his hometown deals with being occupied by Germany.

Yet, whilst this is story is set during France’s occupation, this is a story very much about the average citizen rather than military men. Through his art and storytelling Gibrat gives us sight of the human drama that unfolds from a community divided. He recognises the work done by those in the resistance, the acts of those who sided with the occupational forces and those who just let the occupation take it’s course.

It’s these human interactions (and the interaction of Julien with the coat stand he takes up residence with) that makes The Sojourn a good read. Much like Julien spying on the town below, we too are given a voyeuristic vantage point into their lives; albeit through Julien’s sometimes glib commentary.

At no point does this graphic novel fall into sentimentality or comedy. Everything is character driven and very much grounded in the perils of war. People get shot, loved ones get injured and there is a real sense of danger throughout both books. I mean, Julien isn’t always careful when he leaves the building at night and you just know that he is going to get caught eventually.

Being two books long it does not take too long to read all of The Sojourn and yet you get extremely attached to these characters and their problems. As with anything slice-of-life, a lot of things end up unresolved… then again it goes keep you thinking about what would happen next.

So that’s going to be it for the comics list for a while. It’s been a few months since I last completed a non-graphic novel and I believe it is time for me to actually read again. Being the person that I am it will likely be one of the longest novels that I have left… so that’ll be Middlemarch or David Copperfield.