It bears repeating that the reason I am going through the 1001 list is because of the variety of movies. This isn’t just in terms of style or genre, but also the types of stories that are being told. I know I am likely to repeat this spiel when I get around to watching Tongues Untied, but considering I have 359+ more introductions to write before completing this list I hope some repetition is forgivable.
Shadows is an interesting entry on the list for a number of reasons. Firstly, it’s an independent film that, in its current state, is a completely re-worked version of an earlier disparaged version. I can’t think of a current film where, after an unsuccessful first set of screenings, the director decides to go for a complete re-shoot. That alone make this film an interesting artefact.
Then there is the fact that it deals with inter-racial relationships in a manner where it is clear that it is the prejudiced white man that is the problem. This alone marks out Shadows as being remarkably liberal and forward-thinking for its time. However, that alone is not the most interesting way that they handle the story.
The casting of the siblings that are central to Shadows does something that you don’t really see from films of this era; there is a conscious decision to have them all to have colours of skin along a light to dark scale. Lalia, the lightest skinned of the siblings, is so close to being white (because the actress herself was white) that her racist suitor, Tom, has no idea that she is African-American.
It is when Tom meets Lalia’s family that the shoe drops and we see him for the bigot that he is. The initial surprise stings for Lalia because, to him, this really matters. We later see him at a party where he is very aggressive about black party-goers touching him or giving him a beverage. Yet, through this, he still thinks he can talk her around to being with him despite his views, which may be one of the most blatant examples of white male privilege I have seen on film.
Shadows has a place in the history of cinema because it was a catalyst for American independent cinema and helped inspire a movement that could come up against the New Wave that was coming out of Europe. Sure the acting is a bit patchy and the story of the brothers is a bit lacklustre, but this is an important film and one that needs to be seen to help understand some of the roots of New Hollywood, whose era would begin nearly a decade later.