Tag Archives: The Righteous Brothers

1001 Songs – 1965: Part Two

And now the thrilling conclusion to 1965. If you think this is a lot of songs just wait until 1966 – that’s going to end up being split in 3.

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

Like a Rolling Stone – Bob Dylan

Our first track sung by Nobel Laureate Bob Dylan. This song would have had more effect on our listening if it hadn’t ended up being the first of the second half. This is so unbelievably different to whatever had come before (in terms of the 1001 songs list and music in general).

The big shock, at least for me, is just how successful this was. It isn’t like Bob Dylan was this artist that was appreciated by music-lovers only and not as much the mainstream. This song managed to get to the top reaches of the singles charts. That’s incredibly when you actually think about this cynical, biting poem set to music was able to reach the same notice as girl groups and the Beatles.

People Get Ready – The Impressions

I’m missing something with this one. I get that the imagery in this track is making reference to the Underground Railroad movement that helped to free slaves in the Southern states. I get that this was written at a time where the Civil Rights Movement was making tracks and that this was a good rallying cry that could be used in the churches. However, this is ranked so highly in so many best of lists… and I just hear a fairly generic gospel song from the 1960s.

Looks like this might just be me.

Who Do You Love – The Preachers

Well. That was different.

This is described as being a ‘high energy’ version of a Bo Diddley song. Not sure if that’s an adequate description. This is not on the list because it’s one of the best songs, but because of what it represents: proto-punk.

What we have here is a band trying to take the rock and roll sound and play it harder, faster, rawer and screamier (okay not a word). It’s not punk as we know it, but in the context of what was around at the time this is something very different.

Now to rescue my eardrums before moving on. Ouch.

The Carnival Is Over – The Seekers

This is more of what I expect from a 1960s song. A hugely successful pop-folk hybrid that sold over 1.4 million copies in the UK alone.

With this level of nostalgic melancholy it is unsurprising that this track originates from an old folk song – specifically a Russian folk song. It’s melody has been adapted by the brother of Dusty Springfield who also composed lyrics that were vastly different to the original Russian ones (which were about a peasant uprising… cheery).

This is just one of those nice inoffensive songs that just sounds good. Middle of the road, but good.

Psycho – The Sonics

This is another one of those songs where we are starting to see rock and roll morph into something harder and a bit punkier. It doesn’t hit the screamy heights of ‘Who Do You Love’, but this is most definitely part of the evolution.

The genre at this stage is garage rock (a bit of a Ronseal name there for a type of rock and roll kids would play in the garage) and we are not yet at the stage of punk.

It’s interesting to think that it would take 10-15 years before the definitive punk albums start to be made (Ramones, Never Mind the Bollocks etc) and yet we are starting that evolution in 1965. Makes you wonder what music is brewing right now only to explode in a decades time.

I’ve Been Loving You Too Long (to Stop Now) – Otis Redding

Otis Redding is another one of those talents from the 1960s where there is a great sense of a ‘what if’ about them. Dead at 26 in a plane crash.

This song is most definitely soul, but it just feels that tiny bit more nuanced. There’s something in the vocals here and the light arrangement that leave you wanting just that little bit more.

Stop! In The Name of Love – The Supremes

This is very much the other side of soul. More upbeat and intertwined with pop sensibilities.

As much as this song is incredibly famous you can not hear that chorus without seeing the simple (yet legendary) choreography of the girl group simultaneously raising their hand as they say ‘Stop’ with their hand squarely placed on their hips. Classic.

Subterranean Homesick Blues – Bob Dylan

Back again to the Nobel Laureate. Where you can’t think of ‘Stop! In The Name of Love’ without the dance move, you can’t hear ‘Subterranean Homesick Blues’ without the mental image of the music video where Dylan is dropping cards with the lyrics on them.

It’s annoying that this song is later on the list than ‘Like A Rolling Stone’ as this was the earlier song. You can tell this song is earlier as, for Dylan, this song feels just that bit more mainstream. It’s a protest song with a vein of blues rock running through.

Seriously, why wouldn’t you make this list completely chronological rather than chronological just by year. Honestly.

The Sound of Silence – Simon & Garfunkel

Damn it ‘Arrested Development’ I had to restart this song because I started laughing at the image of a depressed Will Arnett.

This is one of the great Simon & Garfunkel songs (although ‘The Boxer’ remains my favourite) and is one of those incredibly recognised pieces of folk rock. In part this is probably due to it’s use in ‘The Graduate’.

It’s a weird song as it is about isolation and yet it feels strangely uplifting. To think, Simon and Garfunkel had already disbanded before this had become successful!

My Generation – The Who

Easily one of the most famous rock songs from this era. Like the Rolling Stones from earlier in the year this is very much the pulling away of the harder rock from the rest of the genre.

It’s an interesting structure of the ‘call and response’ that we would have seen more in the RnB songs from earlier years. Also interesting to listen to is the implied swearing – which works remarkably well and helps to make this song radio friendly.

Between this, the Stones and the Kinks it is very clear that Britain was leading the way in this new sub-genre of music.

Unchained Melody – The Righteous Brothers

Now to end on something remarkably vanilla that simultaneously makes you think of Demi Moore having sex on a potter’s wheel.

Whenever you listen to this song, remember that this was a throwaway B-side. This was not the song that DJs were meant to be playing. This was not meant to be the hit. This timeless and powerful recording was just an afterthought.

I know I called this vanilla, but it is a spectacular song in its own right. Bobby Hatfield delivers the best vocals of any song in this batch and, aside from Nina Simone, possibly even this year.

Sure it is incredibly easy to dismiss this song as being easy listening… there’s nothing wrong with easy listening done this well.

Progress: 186/1021

1001 Songs – 1964

1964 may be the last year for a while that I attempt in one sitting. At 15 songs it’s stretching it a bit, but let’s do this!

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

Leader of the Pack – The Shangri-Las

We start out with a tragedy song. These were so in vogue at the time. I guess it was something to do with the rise of the teenager and the need to rebel. You could see them as either warnings or aspirations depending on your age.

‘Leader of the Pack’ is arguably the most famous of these teenage tragedy songs and even reached number 1. The screeching of the tyres at the end just highlight this tragedy element. This is a girl group song in the same way that ‘Sally, Go Round The Roses’ was.

For some reason this song reminds me of Ruby Wax. I don’t know why.

Les copains d’abord – Georges Brassens

Meanwhile in France we are still in the world of chanson. This one is very peppy and yet it is about someone dying on a fishing trip with friends.

What is it with the French chanson music and using a peppy melody to hide a darker message! Granted this is no ‘La Gorille’, as that was moderately upsetting, but this is still someone drowning. It’s like how you have lovely happy music in the French film Partie de la Campagne and it’s actually quite upsetting.

Then again he could be singing about having dysentary and it would still sound lovely. Language *jazz hands*

Samba Malato – Nicomedes Santa Cruz

Another different song here. A samba by Peruvian singer Nicomedes Santa Cruz.

It’s an interesting pick for the 1001 list. This is on here in order to highlight a different kind of music – this being an Afro-Peruvian movement.

The song itself appears to be a song about back home, in this instance areas such as Angola and the wider Congo area. So basically this another instance of happy music hiding a darker message.

Walk On By – Dionne Warwick

This marks the first appearance of Burt Bacharach on the list. By this time he had already written songs like ‘Twenty Four Hours from Tulsa’ and ‘Anyone Who Had A Heart’, but those are probably more well known because of their Dusty Springfield covers.

Dionne Warwick was the perfect voice for the combination of Bacharach and lyricist Hal David. Most of her early songs came from this pairing (and this is back when two albums a year was the norm). Amazing how as a three they were able to churn out a song of this quality.

Don’t Gimme No Lip Child – Dave Berry

Interesting pick as this was actually a B-side (people younger than me will have no idea what this is) to his song ‘The Crying Game’.

It makes the list because of how it influenced punk bands, like the Sex Pistols who used it in rehearsals, who would not be releasing music for about a decade. Talk about reach.

E se domani – Mina

Mina is one of those big singers from the European continent that didn’t make waves in the UK. ‘E se domani’ is one of her biggest selling singles and, despite being a failed attempt to enter Eurovision. Italy won that year anyway so no harm no foul.

It’s a sweet song, but very much a slow Eurovision song. Enjoyable, but not memorable.

The Girl from Ipanema – Stan Getz & Joao Gilberto

One of the most famous songs of all time as well as being one of the most recorded of all time.

Astrud Gilberto, singing the English lyrics, managed to get the gig because she was the only one of them who knew English. It also helped that she was the wife of Joao Gilberto. Still, her rough and relaxed vocals worked perfectly for this archetypal bossa nova track.

Perfectly relaxing for a summer’s day like today… even if this is going up in February.

A Change Is Gonna Come – Sam Cooke

One of those big songs of the American Civil Rights movement of the 1960s. It’s an incredibly stirring track that is ultimately made all the more tragic after his death a year later having been shot by a motel manager.

You listen to this and you can hear exactly where singers like Marvin Gaye got their inspiration from. Especially when you listen something pretty seminal like What’s Going On.

Just… moving.

Dancing in the Street – Martha & The Vandellas

Now for a complete change in tact and yet Marvin Gaye is still a useful reference as he was one of the writers on this song.

Where ‘A Change Is Gonna Come’ was specifically written to be part of the movement ‘Dancing In The Street’ found itself associated despite being a regular party song.

It’s one of those songs that just makes you want to get up and dance. Not protest though. I can’t dance when I’m angry.

I Just Don’t Know What to Do with Myself – Dusty Springfield

Most people will know this song because of the White Stripes cover.

It’s another Bacharach/David song, but this had to go through a few hands before reaching Dionne Warwick. Interestingly this was originally sung by a man and yet this song is remarkably feminine when it comes to the lyrics.

You also have songs like this and the next one being the start of blue-eyed soul aka white people singing rhythym and blues and soul (seen then as black music). When you think about it… it’s a bit of a racist idea for a genre.

You’ve Lost That Lovin’ Feeling – The Righteous Brothers

Now this is possibly the song that caused the term ‘blue eyed soul’ to be coined.

Listen to that production. We are back in the world of Phil Spector and doesn’t that just feel like being wrapped up in a blanket made up of meticulous music. Also, there’s Cher in the background.

You Really Got Me – The Kinks

If ‘Don’t Gimme No Lip Child’ was an influence on punk music then this has got to be the first chapter of the punk rock cookbook.

It’s one of the few pure rock songs that has been encountered so far and has really gotten me to thinking about how many famous songs we are starting to get in this list.

For the first time it feels like rock, as we know it, has arrived and dropped the ‘and roll’ part of its title.

The House of the Rising Sun – The Animals

‘The House of the Rising Sun’ is actually a traditional folk song (I didn’t know that either) that had been sung by many people, including Bob Dylan, for years and years.

It takes a lot to make a song like this feel as if it belongs to you as the cover singer, but this re-arrangement by The Animals found a way to do this.

Every now and then there is a ‘keystone’ song in this list. Something that is so different from what preceeded it and managed to influence music afterwards. ‘You Really Got Me’ was pretty close to this when I think about it.

Because of my Acclaimed Albums list I have been spending a lot of time listening to psychadlelic rock and with this I think I finally found THE song that managed to bring them into prominance. It’s haunting, it’s fantastic and shows you how to arrange a folk song.

Go ‘Way from My window – John Jacob Niles

Well… this probably shouldn’t be one of the closing songs in what has been a bumper year. Then again, singing this at 72 years old and being a massive influence on the American folk revival movement does get you a place here.

Similar to how I can hear some notes of Joni Mitchell’s ‘My Old Man’ in the delivery here.

72 years old and still able to hit the high notes. Wow.

Amsterdam – Jacques Brel

I adore this song. When I saw that I would finally be listening to this as part of the 1001 songs list… well that’s why all 15 have been done in one post rather than being split and I’d get to this whenever.

I love a big song and a big bit of production and this song just will not stop building. It’s a mini epic at 3 minutes plus applause that brings tears to my eyes and goosebumps to my body every single time that I hear it.

It’s the perfect song to finish a year off to. Just magnificent.

Progress: 165/1021