List Item: Listen to the 1001 Songs You Must Hear Before You Die
Say It Loud (I’m Black and I’m Proud) – James Brown
Compared to the previous James Brown I listened to – where I was unable to get SNL’s Kenan Thompson out of my head – this song actually had a bit more meat to it. I mean we are talking about a time where racism was more prevalent (it’s still pretty prevalent, but you know what I mean) and the Black Power movement was still gaining traction. So a song like this about black Americans being abused by the police became a powerful song to use.
My main problem is still this: this song is incredibly repetitive. It works a bit more here as a protest song, but he does this in other songs so I am not sure how much of a point there was to that as it feels generally improvised.
Hard to Handle – Otis Redding
Here is a song that something more to it. I know this is more soul and James Brown is funk, but this actually has a changing structure and recognisable parts. It’s actually been a while since I last listened to an Otis Redding album and I was reminded of why I enjoyed it.
I think it goes to show that, at this point in time, I like soul a lot more than funk.
A minha menina – Os Mutantes
Okay now for something unlike anything I have heard on this songs list. I enjoy it when random acts of fusion begin to happen as the next round of musicians start to take on the work of other cultures. Here we have the more traditional Brazilian bossa nova music combined with the psychedelic rock that was coming out of the US and the UK.
What you have when these are mixed is something completely new and would form significant part of Brazilian cultural identity in the late 1960s and beyond: Tropicália. It’s fresh, it’s different and it’s something that could only come out of a country of such contrasting cultures as those found in Brazil. I hope a few more of these songs turn up along the way.
Sympathy for the Devil – The Rolling Stones
Okay so we have two songs in a row that have fused rock music with Latin American influences – in this instance the samba. I mentioned two years ago about how much Beggar’s Banquet (the album where this song acts as an opener) left me cold. I even signalled out ‘Sympathy for the Devil’ as a song that did nothing for me.
Here we are two years later and I am able to enjoy this song more. I love how the upbeat samba forms a strange contrast with the satanic lyrics. The thing that gets me is just how highly this is rated on best song lists. It’s fine, it’s fun and it’s very repetitive. Listening to it makes me wonder just how many times they are going ‘woo woo’ in the background. I feel like I am in the minority when it comes to rock music, but that’s okay.
Pressure Drop – Toots & The Maytals
You know that scene in Spongebob where Patrick dreams of riding a coin-operated horse and he is moving up and down in the same repeated fashion? That’s reggae music to me.
I have to admit that ‘Pressure Drop’ is better than most of the reggae music I have heard. The upped tempo instantly makes this better than ‘Israelites‘ and any of the Bob Marley that I’ve listened to so far. The song itself is about weather pressure as a metaphor for karma, which I did not get but can appreciate the poetic choice of.
Cyprus Avenue – Van Morrison
Wow it has been years since I listened to Astral Weeks for my album list. It’s one of those albums where it’s difficult to choose a specific cut because it’s all meant to be listened to together as a song cycle. Still, if a song had to be picked it makes sense that it’s ‘Cyprus Avenue’.
There is an awful lot going on in this song. You have Van Morrison singing about his younger years in Belfast (where Cyprus Avenue is a street) with strings, a guitar and a harpsichord playing over and underneath him. It is whistful, sentimental and dreamy all at the same time – but should not be listened to by itself. This song belongs in the heard of Astral Weeks and just gets cut off at the end as it starts to pick up the pace.
Hey Jude – The Beatles
So here we are at the end of an era – the final Beatles song on the 1001 list and it’s arguably one of their biggest ones. The genesis of this song is a actually quite weird (but sweet). Paul McCartney writing this to comfort John Lennon’s son in the wake of John Lennon’s divorce from his first wive as caused by his affair with Yoko Ono.
Pretty much everyone in the UK will know this song and have quite possibly sung to the fade out. I have talked about repetition a lot in this section of 1968 (or at least it feels like I have) and here we have an example that works. For the final 4 minutes the lyrics and the basic instrumentation are the same, but they play with it every now and then. Also, the reason behind it as a song to cheer up Julian Lennon just brings a smile to your face. I have to hand it to Paul McCartney here – he done good.
Voodoo Child (Slight Return) – The Jimi Hendrix Experience
Okay so I was expecting to find out that the Rogue Traders song had taken a sample from this or something. Not the case sadly as that would have been this little except written up for me right away.
‘Voodoo Child (Slight Return)’ acts as the closing song of Electric Ladyland – the final album that Jimi Hendrix released when he was alive. It revisits and expands on some of the musical themes that came up in ‘Voodoo Chile’, which was a track on the same album.
For me this track continues to support the image of how amazing a guitarist Jimi Hendrix was. He is lauded for a reason and this song just shows why. The waste. The sheer unadulterated waste.
The Pusher – Steppenwolf
The single that Steppenwolf released before this was biker themed anthem ‘Born to be Wild’, so it’s interesting that the list instead went for this one about a drug dealer. Taking the subject matter onboard I cannot say I disagree with that decision. I mean, sure, this isn’t the more famous song, but the way that this song chooses to tackle the war on drugs is interesting.
It takes the stance that a lot have people still take nowadays – that there is a difference between hard drugs like heroin (sold by the pusher) and softer drugs like grass (sold by the dealer). Of course we’re only now getting into the position where this separation is being reflected in politics, but it’s interesting to see that 50+ years ago we were already having this conversation.
The Weight – The Band
Okay so this is where the folk-country part of my music taste wants to come out and make itself known. I really enjoyed this song goes honky-tonk as it hits the chorus line with it’s chunky piani line and singalong lyrics.
Speaking of honky-tonk, I can see this as being one of those great drinking songs that can get a rise out of many a drunk as they start to slip into unconciousness. It feels like one of those comfortable songs that we all know even if we’ve never heard it before.
Days – The Kinks
How do I know this song? Seriously, can someone please tell me as this song was immediately recognisable to me and I have no idea from where. I don’t think it’s like ‘The Weight’ where I feel like I have gotten to know this as part of the collective subconscious, I know I have heard this somewhere and it is really bugging me. Yes, this is a bit of a weird note to end on. It’s a really nice song, but I wish we’d ended with The Band.