So continueth the dictated film reviews! Damn these wrists!
Previously, I had seen The Red and the White by the same director. That was an example of an experimental way to present the barbarity of war in his native Hungary. I really enjoyed the film because the long takes and general confusion may be added to his message.
I am gonna be honest and say that I don’t think I particularly got what he was trying to do with Red Psalm. Again we see the director using long takes filled with impressively complex choreography involving a cast of up to 100 people. However, this is a very different type of experimental movie… it is an experimental musical.
All of the 26 long takes feature songs which are mostly Hungarian in origin, but there are one or two in English. The songs are meant to highlight feeling within the working classes of Hungary as the communist revolution took hold. At least, I think that’s what’s happening. I became a bit lost once the clothes started to come off and women were holding live birds between their breasts.
Praise must be given to the direction is that cannot have been easy to film. There’s a bit where they set fire to a church or church like building. Part of me wonders whether they meant to set fire to the neighbouring tree. They had to go with it as this would be a one take only thing, but I do wonder. Interesting film – but I don’t think I understood it completely. Yup. Not much to say.
No prizes for guessing that had been by these two films eh? I actually had quite a few films to choose from depending on whether I wanted just a normal colour scene or just go straight for red. Even then, there was an Italian film I could have done too.
Red Sorghum is the second of only two films by one of my favourite directors (Zhang Yimou) that features on this 1001 list. The other is Raise the Red Lantern which ranks as one of my favourite films of all time despite the obvious tragic ending. He also directed Hero, House of Flying Daggers, The Story of Qiu Ju and the opening ceremony to the 2008 Beijing Olympics. He is a pretty big deal in Chinese cinema.
One of the most interesting things about this film is that it was the debut of both the director and internationally recognized Chinese actress Gong Li. It’s nice to know that so early in his career the director found an incredible muse in this actress. When paired together this is a duo who can easily make me cry. This film was no exception. I think I’ve ever seen a film by Zhang Yimou that did not feature some sort of tragic ending.
If you’ve seen his films you will know that he has a good eye for colour. I mean, just watch any of the battle sequences in Hero and you’ll see what I mean. In contrast to the many colours you see in Hero there is only one palette in the Red Sorghum: red. And we’re not talking about rich red rather it is the red of a clay soil. You’d almost wonder if he had used a recycled sepia lens because everything is tinged with this colour.
Visuals aside this is a simple film until the last 20 minutes when the Japanese invade the area. Everything in this film prior to the invasion goes along at an almost dreamy pace until this moment when there are sudden flashes of violence. Because of what preceded it these flashes are all the more effective. This is most noticeable when one of the workers we have gotten to know is strung up and other workers are ordered to skin him alive. You only see the start of the initial cut by the entire sequence is chilling. So too is the final battle between the farmworkers and the Japanese forces.
This film brings me to 500 films from the list. Because of the trilogy is and two part films this does not mark halfway, however I will be there soon enough and it will be a joy to start making my way towards the finish should I ever make it. As this is a lot of films we are talking about and it took me 26 years and to make it this far.