Thanks to some prolific weeks, I am back in the position where – at least for now – I am going to be able to start posting every day. This may go back down when things get busier again, but seeing how I am hitting the accelerator on the albums list and that I am now making a quicker path through the films, it felt like time.
So the let’s get onto my second Schumann piece – a Piano Quintet that is one of his more famous and beloved pieces. Honestly the first two sections of this four movement piece made enough of an effect on me that I was actually jotting notes as I was waiting for code to run.
The first of the four movements of Schumann’s Piano Quintet is something that I wish more classical music could be: fun. There is something so wonderfully energetic about this first section that it reminds me of a romantic chase, like some of the mythological scenes from Fantasia.
This contrasts hugely with the second ‘funeral march’ section which, if the first piece is a bit like a romantic chase, is the obstacle in the way of the chase. Kind of like the Montagues and Capulets from Romeo and Juliet or just how hopeless Lady Dedlock is in Bleak House given her back story. I know I probably have these imaged from my head as this second section has been used in films I’ve seen like Fanny and Alexander and The Favourite.
The final two movements of the piece go back up in terms of energy levels, but in terms of interest they don’t manage to reach the same level as the contrasting first two. This was a really great classical piece to listen to and would have made for a satisfactory 100th piece… but that’ll have to wait until next time.