Tag Archives: love

1001 Songs – 1967: Part Three

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

And so we finish out another year with this third and final look at the songs from 1967 that feature in the 1001 book.

Montague Terrace (In Blue) – Scott Walker

Right, so a minute in and this song just explodes. This song is a bit heavy on the tingly chimes (in a weird way) and thick on the strings (in a good way), which just builds up to the big overblown chorus.

He doesn’t quite have the voice that would work for this. Now Jacques Brel, an influence of both this song and Scott Walker in general, probably would have.

So essentially we have a song that is seeing the chanson tradition through the lens of blues and pop. Interesting.

A Day in the Life – The Beatles

Okay so this is my mum’s favourite Beatles song. It’s yet another one of those songs that shows just how far ahead of their time The Beatles actually were.

There is a reason that I listen to these songs again even if I have done the album before – listening to a song in isolation is a different experience than as part of an album. I mean, I completely missed ‘Eleanor Rigby’ as it just got swallowed up by the rest of the album. Same goes for ‘A Day In The Life’.

It’s the closer for Sgt Pepper and so is the closing track on what is widely seen as one of the best albums of all time.

Is it a good song? In isolation it is and it means I am going to have to listen to the album properly again. It’s a prime example of Lennon-McCartney working well together and actually just how they were beginning to properly diverge.

Alone Again Or – Love

I still maintain that I know this song from somewhere else and I can not put my finger on it.

Listening to this properly outside of the rest of the album that follows it I really do appreciate that weird mariachi sound that they incorperated into this song.

It’s one of those songs that is the coming together of the 1960s musical trends of folk rock and baroque pop. My husband thinks it pales in comparison to the previous song… but I prefer this.

Tin Solder – The Small Faces

Interesting vocals on this song. Not only are they overpowered by the rock, but the mix of the voices sound like they had been poorly filtered.

I guess it makes sense in the way since this is a song that is experimenting with, what would become, heavy rock. Still though, sounded like there was somg gurling going on.

It’s a sweet song from the idea that it was written to impress a girl (who the writer would later marry), but on the whole it was a bit off.

See Emily Play – Pink Floyd

Beatles? Is that you? Seriously though, this sounds a lot like a song that the Beatles would have made.

This was released in the UK as a single, but in the US they got this on a re-issue of The Piper at the Gates of Dawn.

It’s an okay song, but right now it doesn’t feel like anything we haven’t heard before. It’s a well done example of a Beatle’s influenced song, but I think this is on here to signal the beginnings of, what would become, one of the big UK acts.

A Whiter Shade of Pale – Procol Harum

Yet another one of the extremely famous songs from 1967. Maybe, not anymore, as widely known as ‘Respect’, but still a most famous song from this year.

I mean how many songs can have a title that has entered common parlence than this one? It’s one of those nice phrases (like Watergate) that journalists cannot resist taking for a subheader.

When this is not the best and most recognised song in a year, you know it’s a good one.

The Tears of a Clown – Smokey Robinson & The Miracles

Okay so the opening of this song is one that should be recognised by anyone who has listened to Heart FM. It’s like circus music and I think that’s the point.

It’s a great example of where pop and soul could meet in the world of Motown, even if it did take too long for me to cotton on that, yes, this was a man singing.

Sunshine of Your Love – Cream

There are many times where my album and song lists cross paths. This is, however, one of the first times that I have listened to the song without first crossing off the album. The other being Jefferson Airplane’s album Surrealistic Pillow.

When compared to ‘Tin Soldier’ this is a better executed example of an early hard rock song.

That guitar riff is so recognisable and very much like the sort you would have heard from Jimi Hendrix at the time.

Makes me wonder what the rest of the album is like.

Cold Sweat – James Brown & The Famous Flames

Thanks to many years of watching Saturday Night Live I cannot start listening to a funk song without Kenan Thompson strolling into my brain and doing his ‘What’s Up With That’ sketch.

This is one of the first example of funk songs and it’s profoundly dull. Just listening to it whilst sat on a sofa there isn’t that much to it. There is only one change and we just have James Brown grunting as he signals each member of his band to do a solo.

Seriously, Kenan and the rest of Saturday Night Live got this spot on.

The First Cut Is the Deepest – P.P. Arnold

There are many cover versions of this song. The first version I heard of this was by Sheryl Crow. I have also heard versions by both Cat Stevens and Rod Stewart.

This is my least favourite version. With the harp and the higher register occupied by P.P. Arnold it just feels a little bit twee.

I get that she had been through things with her husband that would make this song resonate with her, but at 21 (in 1967) she feels a bit young to be singing a song like this. Or maybe that’s just me?

Progress: 248/1021

Advertisements

1001 Songs – 1966: Part Two

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

(I’m Not Your) Stepping Stone – Paul Revere & The Raiders

I think I had this song ruined by a rather awful cover by Ant and Dec. Honestly, I am starting to wonder when we are going to be getting away from rock songs with an organ
playing alongside the bass-line. It’s getting to the point where having it squawking in the background is rather distracting.

Whilst I know we are not going to be having new developments and evolutions with every song that we play – this just felt like one of the bunch instead of a standout. This is meant to be proto-punk – but if it’s a song easily covered by The Monkees and PJ and Duncan then it isn’t THAT punk.

Mas que nada – Sergio Mendes & Brasil’ 66

Speaking of developments. It has been a while since we were in the presence of bossanova (although I did listen to some Bebel Gilberto when holidaying in Lisbon) and the sound has already started to become a lot richer down in Brazil.

There won’t be many people that don’t know a version of this song, even if it is the more recent version with the Black Eyed Peas. It’s one of those moodsetters that sitcoms use to convince you that they’ve shot in Brazil instead of a parking lot outside of Tampa.

El muerto vivo – Peret

Might as well pop over to Spain for a bit of a rumba after a bit of a Brazilian bossanova.

This is on the list as ‘El Mureto Vivo’ (or ‘The Living Dead’ in English) is one of the most played and most famous example of a Catalan rumba song. Not a lot to say here to be honest other than the fact that I wish we had more songs like this. Songs that were different from the big movements in rock/punk/soul that we are seeing elsewhere on the list.

Still, good to be developing that breadth of knowledge.

Tomorrow Is a Long Time – Elvis Presley

A Bob Dylan song as recorded by Elvis Presley. Sure, why the hell not.

Despite the fact that both Dylan and Presley are both part of the US sphere of rock, I find it hard to imagine the two of them interacting that often.

Still, this is an interesting bit of world collision here and it could originally be found as a bonus track on a movie soundtrack. A cover that Bob Dylan views as his favourite.

Knowing that Presley actively sought these Bob Dylan songs out to cover (it’s just that we don’t know a lot of them) really changes my view on the emotional depth of Presley as an artist.

Eleanor Rigby – The Beatles

Baroque pop! One of of my favourite sub-genres and I am finally hearing it for the first time. You can identify that it’s baroque pop not just from the sting section but the mix of melodies and harmonies.

When I listened to ‘Eleanor Rigby’ as part of my listenthrough for Revolver I honestly don’t think I got it. I do now.

Just so much to unpack here when you listen to ‘Eleanor Rigby’ in isolation. The interesting topic of loneliness. The incredible leap that The Beatles took to reach this point from the last song of theirs we heard.

Actually, this is not like anything we’ve heard on the list so far. Actually rather astonishing.

River Deep–Mountain High – Ike & Tina Turner

Don’t let the artist name fool you. This is a Tina Turner and Phil Spector song. I know my image of this song will be clouded by the fictions present in the Tina Turner biopic ‘What’s Love Got To Do With It’, but with Ike Turner being paid hansomly to not mess with this song… well get the idea.

Big and bodacious ‘River Deep-Mountain High’ is one of those songs that just shows the range and power in Tina Turner’s voice. There are moments where the Wall of Sound feels like it is about to overwhelm her, but she always finds a way to soar.

7 and 7 Is – Love

14? An awful beverage? Oh right, a proper proto-punk song unlike the one we started this year off with. How silly of me.

A while ago I listened to their album Forever Changes, which they released a year after ‘7 and 7 Is’. That is a great album and a very different direction to what I just heard here. From proto-punk to a softer folk style more inkeeping with their name of ‘Love’.

Interesting to read up what happened there…

96 Tears – ? & The Mysterians

Seriously, when will we stop with that organ. If you are not a rendition of ‘Green Onions’ I am not interested in how proficient you are with the organ. The sheer abundance of the organ on this track is enough to make my ears curl.

This is another one of those garage rock songs (can you spot the pattern with a bunch of these songs from 1966) and it is seen as one of the proper progenitors of punk. Honestly I think ‘7 And 7 Is’ is further along in terms of what punk is… but what do I know.

I do, however, have respect for a band that plays with the idea that their lead singer is an alien who is thousands of years old. LSD really must be marvellous.

Pushin’ Too Hard – The Seeds

Once again, we have some baby punk. Why couldn’t we have had more songs like ‘Eleanor Rigby’ (Arcade Fire really is too far away in the future at this point).

There are points where I think they are going to segue into a rendition of The Kink’s ‘You Really Got Me’. Just something about the backing that feels a bit borrowed. Then again, most modern punk sounds like the Ramones put through a filter so who am I to judge.

In a similar vein to Love, The Seeds went away from this punkier sound to something more psychedelic. I mean if you end up being the band that coins the phrase ‘Flower Power’ you need music you can groove along to.

Psychotic Reaction – The Count Five

It feels like AGES since I last heard a harmonica. After a few of these garage rock/proto-punk songs I thought I would be a bit more jaded, but this one is really good.

This garage rock song still feels like half a light year from what punk would become. Still with those musical breakdowns and a howling harmonica ‘Psychotic Reaction’ felt like a smarter way of approaching punk rock.

Never heard of the band? Well, they broke up to go to college. Who knows where they could have ended up if they had stuck with music.

Reach Out (I’ll Be There) – The Four Tops

A nice bit of Motown soul to finish off this run of songs. Alongside ‘Baby Love’ by the Supremes, ‘Reach Out (I’ll Be There)’ was one of the first big hits to come out of the Motown record label.

Interesting to hear the strain in the voice of the lead singer during this song. His range was a baritone and he was being asked to sing a song for a tenor, and you can really tell that the higher he is meant to sing the harder it becomes for him. This, however, gives the song a sense of urgency that only adds to it.

Progress: 207/1021

One more post left and that’s 1966 covered. I wonder what gems I will be listening to next time.

Acclaimed Albums – Forever Changes by Love

List item: Listen to the 250 greatest albums
Progress: 101/250Title: Forever Changes
Artist: Love
Year: 1967
Position: #50

Wow, I am really beginning to pick up the pace on these albums. Granted, if it wasn’t for the fact that I had to create 2-300 word posts for each album I would probably be a lot further to finishing off the 250 than where I am now. Also, 2015 was a RIDICULOUSLY good year for music. How can I listen to old music when there are new releases by Joanna Newsom, Grimes, Bjork and Sufjan Stevens? Well, exactly.

I’ve begun to find that during my making improvements to my games list (which is still a long way from me actually finalizing and using it – as it stands there are now 1100+ lists involved in the calculations) is a good time to listen to some of these albums.

One thing that doing this acclaimed albums list has taught me, is that I have no idea about what makes a genre. When reading up about what to expect of Forever Changes I came across the terms ‘baroque pop’ and ‘psychedelic rock’. So, I was expecting some Jimi Hendrix/Beach Boys/Captain Beefheart mash up. It isn’t exactly what I got.

The roots of Forever Changes is very much in folk rock. Now THAT I can understand. I am guessing that some of the guitar playing that I heard (which I would just label ‘sixties’) would be more along the lines of psychedelia. Possibly. I don’t know.

In any case. In spite of not being able to find a genre to successfully pigeon-hole this album I have to say that I really enjoyed Forever Changes. It is a rare example of an acclaimed album from the 1960s that I really got. Maybe it is because Love is one of those bands that you never really hear about so there were no expectations (although, album opener ‘Alone Again Or’ sounded oddly familiar).

Expectations of albums or artists have been toxic when trying albums on this list for the first time. Makes me wonder how I’ll feel about the remaining albums in the Top 10.

The Great E.U. Quest – U.K. and France

List Item: Visit all EU countries
Progress: 12/28

Now, when I wrote the post opening up my quest to visit all countries in the EU I mentioned trying to find proof for each country that I have visited. The problem with this being that due to a re-organizing at my mum’s place a number of photos have gone missing. This means that for now I am without photos I can use for three of the EU countries I have been to (as well as photos for other list items). Still, if and when they turn up they’ll be added here in a post.

I won’t really write much for the UK since, you know, I was born and currently live there so I’m going to focus more on another nation. france-flagCountry: France
Year first visited: 1996

Right, I say 1996 here since I am counting the first time I actually spent the night there and not the booze cruises I was party to prior to this (I did enjoy getting the ham and cheese Monster Munch from Carrefour).

Instead the photos I have are from a trip in 1996 to Paris. This is sadly not a trip I remember much of. In fact my main memories from this trip involve a late night nosebleed, getting a Celine Dion live album on cassette as a birthday present, playing with a translator that I got from Boots at the airport and seeing the flag of Finland hanging in the hotel lobby.

franceI have been to France since this visit to Paris. This includes a trip to Val D’Isère when I was the same age and  visit to EuroDisney in 2011 that my partner (and now fiancée) bought to celebrate the end of my teacher training.

Which I guess is as good a time as ever to officially mark off this bucket list item:

List Item: Fall in love
Progress: Completed