Feels like I’ve been on a bit of a role lately with films. I guess that’s what feeling sick gets you, time to catch up on your movies and napping. Lola ended up being the last of these films in what appears to be a tradition with me and the films of Jacques Demy. Guess that means I’ll be waiting until my next bout of sickness before watching his best known work: The Umbrellas of Cherbourg.
If I had to some up my experience of Lola in one word it would be: vague. The world of Lola seems to exist in a vague town build for thousands, but only houses about 20. At least that’s the only way you can explain away the way that every character seems to meet and interact as if by chance. This isn’t a criticism, but the whole thing made me think of this as being a classy French soap opera from the 1960s crossed with Groundhog Day (because the whole feeling of pre-destination).
This is not a criticism, but it just speaks for the fact that if you are looking for a film with a lot of substance… then Lola may not be it. If, however, you are looking for a light and well done piece of fluffy cinema (and you’re not too sick that subtitles are out of the question) then this might be the film for you.
It scratched my itch today because of the well written dialogue and the fact that I didn’t need to concentrate too much on what was happening. It was also cool to see Marc Michel (who I previously saw in Le Trou) in another movie, even if I was glad that he didn’t get the girl in the end.