Tag Archives: fleetwood mac

1001 Songs – 1969: Part One

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

My Way – Frank Sinatra

For many legendary artists there are songs that come to define them. Aretha has ‘Respect‘, ABBA has ‘Dancing Queen’, Nirvana has ‘Smells Like Teen Spirit‘ and Frank Sinatra has ‘My Way’.

This is very much US crooning through the lens of the French chanson. Few American male singers of note have had the voice and range to do justice to this song about looking back on a life lived. It’s not about necessarily having a good life, but about having a life on your own terms. It’s a defiant and somewhat remorseful song that should only be attempted by singers in the final or penultimate act of their life.

When I hear Sinatra sing it I imagine an abusive father being kicked out of the house and trying to show some semblance of pride. I can imaging the Denzel Washington character in Fences being a huge fan of this song.

I guess what I am trying to say is… if this was sung by someone who was less of a piece of work than Frank Sinatra I might be more on board with this despite the fact that the production is so overblown. But I’m not.

The First Time Ever I Saw Your Face – Roberta Flack

So this was recorded and first released by Roberta Flack in 1969 and ended up winning her Grammys in 1972. It’s weird how the Grammys work. Then again – Lemonade.

As is obvious from the title, this is a love song. Interestingly it is a song written by Ewan MacColl for the woman he would later marry… who would also be his third and final wife. So that’s kinda sweet.

Roberta Flack clearly has a big set of pipes, but manages to show remarkable restraint when delivering the song. It comes out every now and then, but she keeps a lid on it for over five minutes. Not going to say that I didn’t get a bit bored during this though. It could have been cut for time.

I’m Just a Prisoner (of Your Good Lovin’) – Candi Staton

Probably better known for the immortal singles ‘You Got the Love’ and ‘Young Hearts, Run Free’ we are at the first of Candi Staton’s three entries on this list. All three songs are incredibly different with ‘I’m Just A Prisoner’ being an example of soul done well.

There’s a rasp to her voice that gives her that extra bit of personality compared to other singers of this era – although we won’t see that rasp in full force until her later songs. I look forward to reaching 1976.

She Moves Through the Fair – Fairport Convention

Here we are back in blighty and we have an early example of electric folk. This particular song is a rather traditional Irish folk song that is beautifully sung by lead vocalist Sandy Denny.

It’s an understated affair that brings in influences like Van Morrison and Simon and Garfunkel to update traditional songs to present day using contemporary instruments and arrangements. As music goes it isn’t exactly revolutionary, but it shows just how these influences can separate off.

Many Rivers to Cross – Jimmy Cliff

Okay this selection of songs is a rather downplayed bunch. We’re crossing many genre borders and that’s not something that could have been done when starting off on this list.

According to Wikipedia this is a reggae/gospel ballad – more emphasis on the gospel thanks to that electric organ in the background. For some reason I am getting a massive hint of ‘A Whiter Shade of Pale’ which would place this song more into the soul category… which makes a lot more sense than reggae.

I guess that thanks to all these different genres sprouting the ability to section them off really is starting to get harder. Although, I would be hard-pressed to call this reggae.

In the Ghetto – Elvis Presley

Thank you South Park for ruining this song. I listen to this and all I can think of is Eric Cartman singing this about Kenny’s family.

Then again, this is an incredibly overdone song with it’s ghostly backing vocals and Elvis’s affected emotion. The lyrics are fascinating to listen to and, honestly, I wish this had retained the original title of ‘The Vicious Circle’. It’s all about the vicious cycle of poverty and how there are many that cannot escape it. All a bit rich when sung by Elvis Presley who didn’t want to do a political song.

It’s also worth noting that in 2007 Lisa-Marie Presley did this song as a posthumous duet with her father…

Oh Well, Parts 1 & 2 – Fleetwood Mac

So this is the first song in a good while that’s mostly instrumental. Part 1 (which is the first 2 minutes of this 9 minute song) features vocials and is more inkeeping with the rock music of the time, but the rest is more classical.

You have to hand it to Fleetwood Mac for trying to have a 7 minute instrumental track inspired by Spanish guitar as a single. The use of the first two minutes as the A-side was against the songwriter’s wishes with it being a throwaway piece for the B-side. Somewhere along the way the tracks got swapped and it is those first two minutes that went on to be a hit.

Despite being a throwaway ‘Oh Well, Part 1’ went on to be an influential song because of how it fused harder rock with blues rock. As a single it showcases two very different sides of the same songwriter – so I’m glad that I got to hear both parts,

The Real Thing – Russell Morris

Oh psychedelia. We are seeing you on your way out by now in most markets and being replaced with harder rock or a revival of folk… so of course we see a bit example of Australian psychedelia. Without the instant sharing of musical influences things would have trickled around the world so much slower.

It’s not your regular psychedelic rock song. This had the whole music producer toolkit behind it which lead to a lot of interesting effects being used that make this song rather unique and mindbending. The ending alone where it appears that another song is trying to intrude on ‘The Real Thing’ is remarkably odd.

At the time this was the most expensive song in Australian history, coming in at about the same cost as an average album.

Progress: 276/1021

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Music Monday: Rumours by Fleetwood Mac

List item: Listen to the 250 greatest albums
Progress: 18/250Title: Rumours
Artist: Fleetwood Mac
Year: 1977
Position: #58 (Previously: #59)

For a number of people of my generation or younger the first exposure to Fleetwood Mac will come from one of two sources. Firstly, Glee did an episode in 2011 where the album Rumours was the central focus and they actually did some decent covers including ‘Don’t Stop’ serving as the closer. The other main source (for those of us in the UK that is) is the use of ‘The Chain’ as the theme music for the BBC’s coverage of Formula 1 racing.  Personally, my first exposure was seeing the music video for ‘Everywhere’ on one of those music stations, a rather beautiful take on the Alfred Noyes poem The Highwayman.

Rumours is one of those albums like Michael Jackson’s Thriller or Shania Twain’s Come on Over in that I know a large number of people that will have owned it at some point. Much like how those two were one of “those” albums so was Rumours. Having reportedly sold over 40 million copies around the world it stands to reason that everyone will know someone that purchased this album.

As albums go it is one of those that I forget how much I enjoy it until I start playing it again. I know that I love the song ‘Go Your Own Way’ because it has memories of playing Guitar Hero with my best friend and her (now) husband. For similar reasons I have an attachment to the song ‘One Way or Another’ from Blondie’s Parallel Lines but I’ll talk about that another time.

The odd thing here is that the stories surrounding the production of Rumours is probably as interesting, if not more than the album itself. There is no doubting that this is a classic and influential album… but being the product of broken up relationships, drugs and a decadent recording schedule it had to either be inevitable that this would lead to the album hailed as their best (ironic due to the complete mess the band’s personal lives were at the time) or an utter shock that they would somehow use the pain to make something so timeless.

Then again, so many of the great songs have been the products of heartache and the suspicions that can form before, during and after it. I mean ABBA produced their darkest and, in my opinion best album (The Visitors) since the divorces of the two couples lead to new writing territory. There is a cruelty in musical partners writing for each other since there are times where you can make your ex sing something particularly edged.

Rumours takes a different tactic from The Visitors with the different parties singing their own take on broken relationships whether it be optimism for the future (‘Don’t Stop’ and ‘Dreams’), a slightly darker take on things (‘Go Your Own Way’) or about the feeling of loss and blindness that comes about when everything falls apart (‘Gold Dust Woman’).

The most interesting song on the album, however, is ‘The Chain’. Since it is actually cobbled together from a number of songs written by all members of the band which was then spliced together (apparently by-hand through the use of razor blades) and formed this chimeric record which has come to symbolize the fractured nature of the band. An essential listen for anyone looking to start their own band really.