Tag Archives: Cream

1001 Songs – 1967: Part Three

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

And so we finish out another year with this third and final look at the songs from 1967 that feature in the 1001 book.

Montague Terrace (In Blue) – Scott Walker

Right, so a minute in and this song just explodes. This song is a bit heavy on the tingly chimes (in a weird way) and thick on the strings (in a good way), which just builds up to the big overblown chorus.

He doesn’t quite have the voice that would work for this. Now Jacques Brel, an influence of both this song and Scott Walker in general, probably would have.

So essentially we have a song that is seeing the chanson tradition through the lens of blues and pop. Interesting.

A Day in the Life – The Beatles

Okay so this is my mum’s favourite Beatles song. It’s yet another one of those songs that shows just how far ahead of their time The Beatles actually were.

There is a reason that I listen to these songs again even if I have done the album before – listening to a song in isolation is a different experience than as part of an album. I mean, I completely missed ‘Eleanor Rigby’ as it just got swallowed up by the rest of the album. Same goes for ‘A Day In The Life’.

It’s the closer for Sgt Pepper and so is the closing track on what is widely seen as one of the best albums of all time.

Is it a good song? In isolation it is and it means I am going to have to listen to the album properly again. It’s a prime example of Lennon-McCartney working well together and actually just how they were beginning to properly diverge.

Alone Again Or – Love

I still maintain that I know this song from somewhere else and I can not put my finger on it.

Listening to this properly outside of the rest of the album that follows it I really do appreciate that weird mariachi sound that they incorperated into this song.

It’s one of those songs that is the coming together of the 1960s musical trends of folk rock and baroque pop. My husband thinks it pales in comparison to the previous song… but I prefer this.

Tin Solder – The Small Faces

Interesting vocals on this song. Not only are they overpowered by the rock, but the mix of the voices sound like they had been poorly filtered.

I guess it makes sense in the way since this is a song that is experimenting with, what would become, heavy rock. Still though, sounded like there was somg gurling going on.

It’s a sweet song from the idea that it was written to impress a girl (who the writer would later marry), but on the whole it was a bit off.

See Emily Play – Pink Floyd

Beatles? Is that you? Seriously though, this sounds a lot like a song that the Beatles would have made.

This was released in the UK as a single, but in the US they got this on a re-issue of The Piper at the Gates of Dawn.

It’s an okay song, but right now it doesn’t feel like anything we haven’t heard before. It’s a well done example of a Beatle’s influenced song, but I think this is on here to signal the beginnings of, what would become, one of the big UK acts.

A Whiter Shade of Pale – Procol Harum

Yet another one of the extremely famous songs from 1967. Maybe, not anymore, as widely known as ‘Respect’, but still a most famous song from this year.

I mean how many songs can have a title that has entered common parlence than this one? It’s one of those nice phrases (like Watergate) that journalists cannot resist taking for a subheader.

When this is not the best and most recognised song in a year, you know it’s a good one.

The Tears of a Clown – Smokey Robinson & The Miracles

Okay so the opening of this song is one that should be recognised by anyone who has listened to Heart FM. It’s like circus music and I think that’s the point.

It’s a great example of where pop and soul could meet in the world of Motown, even if it did take too long for me to cotton on that, yes, this was a man singing.

Sunshine of Your Love – Cream

There are many times where my album and song lists cross paths. This is, however, one of the first times that I have listened to the song without first crossing off the album. The other being Jefferson Airplane’s album Surrealistic Pillow.

When compared to ‘Tin Soldier’ this is a better executed example of an early hard rock song.

That guitar riff is so recognisable and very much like the sort you would have heard from Jimi Hendrix at the time.

Makes me wonder what the rest of the album is like.

Cold Sweat – James Brown & The Famous Flames

Thanks to many years of watching Saturday Night Live I cannot start listening to a funk song without Kenan Thompson strolling into my brain and doing his ‘What’s Up With That’ sketch.

This is one of the first example of funk songs and it’s profoundly dull. Just listening to it whilst sat on a sofa there isn’t that much to it. There is only one change and we just have James Brown grunting as he signals each member of his band to do a solo.

Seriously, Kenan and the rest of Saturday Night Live got this spot on.

The First Cut Is the Deepest – P.P. Arnold

There are many cover versions of this song. The first version I heard of this was by Sheryl Crow. I have also heard versions by both Cat Stevens and Rod Stewart.

This is my least favourite version. With the harp and the higher register occupied by P.P. Arnold it just feels a little bit twee.

I get that she had been through things with her husband that would make this song resonate with her, but at 21 (in 1967) she feels a bit young to be singing a song like this. Or maybe that’s just me?

Progress: 248/1021

1001 Songs – 1966: Part Three

List Item:  Listen to the 1001 Songs You Must Hear Before You Die

Good Vibrations – The Beach Boys

This is it, the homestretch of 1966. We start off with one of those keystone tracks in the evolution of rock and pop music.

When you listen to this in the context of what else was around in 1966 (including ‘God Only Knows’) the complexity of the production becomes all the more spellbinding. There is just so much going on in this song. It’s only 3.5 minutes long and people have analysed it to the point where there are 6 identified unique sections.

‘Bohemian Rhapsody’ eat your heart out. Seriously. Eat it. ‘Good Vibrations’ is so much better.

Dead End Street – The Kinks

After the musical melange of ‘Good Vibrations’, this song feels so simple in comparison.

It’s a bit of a maudlin pop-rock song about how life can be a bit crap (see: 2016 and how things never really change). It’s a song I can see The Beatles having come up with back in 1964. Apart from the salloon style piano in the background, which gives this song it’s own character.

The Sun Ain’t Gonna Shine (Anymore) – The Walker Brothers

Oooh and the production values are back up again. There is a nice use of reverb and echo in this song that feels like a slightly pared down version of the Phil Spector “Wall of Sound”.

What really seems to be happening in 1966 is the rise of the studio and the producer as instruments in their own right. The production work of George Martin, Brian Wilson, Phil Spector and the two producers on this song became far more integral in the making of songs.

The Kinks from the previous song are on the other side where you may polish and arrange, but you don’t completely intrude on what the raw sound it. It’s a split we have to this day (even moreso thanks to Autotune), but it’s interesting to see that it is around 1966 where this split began to feel distinct.

Season of the Witch – Donovan

Most people my age probably know about Donovan from that episode of Futurama where Fry falls in love with a mermaid from the lost city of Atlanta.

In actuality, Donovan was one of the earliest proponents of psychedelic rock. It feels that he did this to get away from the earlier pre-conceptions that he was the British Bob Dylan.

He sounds a bit like Dylan, but that’s about it. Honestly, this song thoroughly bored me. It runs for 5 minutes and would have been so much better if it had been edited down closer to 3 minutes as there are 3 minutes worth of ideas. Meh.

Friday on My Mind – The Easybeats

Oh thank God we have a song with a bit of life in it. Our first garage rock song of this section of 1966 and one of the first Australian acts to feature on this list.

It feels like a weird garage rock mash up of ‘Help’ by The Beatles and The Rolling Stones’ ‘Paint It Black’. Not an insult at all, it’s a fun rock song about a longing and excitement for the weekend during the drudgery of the week.

I think this is a song we can all relate to.

I’m a Believer – The Monkees

The Monkees are a weird one. A band created for a TV comedy series that were later able to become a successful band in their own right. Like S Club 7, but without the accusations of racism.

It’s another happy song, but this time one that has been manufactured based on the zeitgeist. It feels like the ultimate stereotype of what a late-1960’s pop rock song would sound like.

I am a bit sad that ‘Daydream Believer’ isn’t on this list though.

Dirty Water – The Standells

Another bit of garage rock/proto-punk here… just nowhere near as much fun as ‘Friday On My Mind’ by the Easybeats.

The dirty water in question is the polluted Charles River in Boston, a city that is namechecked many times during this song. We also have references made the women’s curfew in Boston at the time.

Weirdly, this song was written by the manager and not the LA-based band. So basically they are sneering about a harbour that they’ve never been to. Rock n Roll!

I Feel Free – Cream

Cream are one of the first examples of a supergroup (a term that is probably banded about a bit too much). The most famous member of this psychadelic rock band made up of blues musicians is Eric Clapton.

There is something otherworldly about the harmonies in this song. Like how a group of mind-control aliens might try to run a band (see: the Daft Punk animated film for more on that).

I love the idea that Cream was formed by blues musicians who wanted to rock. With this band it really worked with having their more relaxed blues sensibilites being sped up by the adrenaline of rock. Possibly why the vocals sound just that bit off (in a good way).

You Keep Me Hangin’ On – The Supremes

The only non-white, non-rock, non-male song in this section. I missed all of those things. Thank you The Supremes and Holland–Dozier–Holland for giving me this bit of respite.

Okay it has that rock guitar in the background, but this is very much it’s own animal. Rock was getting bigger and bigger so you can see how this was being incorporated into the Motown sound.

Not that this was the first time The Supremes had ventured into this territory – two years previously they had released a cover album titled ‘A Bit of Liverpool’ where they did a surprisingly good cover of ‘A Hard Days Night’.

Happenings Ten Years Time Ago – The Yardbirds

Okay so this kept making me think of the catatafish song from the Lemmiwinks episode of South Park. Hope that is not just me.

It did not suprise me to see that ‘The Yardbirds’ would eventually feed into Led Zeppelin. The guitar in this song sounded so much like what I would hear in their stuff.

Whilst this is psychedelic rock it feels like that leap forward into harder rock that would start to properly form in the next few years. Still… it sounds like the catatafish.

Tomorrow Never Knows – The Beatles

Okay so this feels like nothing else we have heard so far. The more I do this songs list the more and more respect I am having for the Beatles.

When I listened to Revolver song time ago I hadn’t even picked up on this song with the weird bird noises, dirge-like sitar and whatever some of those other loops are.

I am not sure if I have heard many songs quite like this. I think the Athens, Georgia band Of Montreal have attempted similar things (their song ‘The Past is a Grotesque Animal’ comes to mind), but at least they had this song as a context.

How would a person living in 1966 react to this? It’s astonishing that the Beatles were as recognised in their own time when you consider how unique their songs could be.

‘Tomorrow Never Knows’ is remarkable. I wouldn’t rank it as a favourite song by any means, but I can really appreciate the scale of it.

Progress: 218/1021

Right, that’s it for 1966. It’s been an interesting year for music and, by the look of it, 1967 will be similarly varied with 3 more posts coming.