List item: Listen to the 250 greatest albums
Progress: 147/250Title: Carrie & Lowell
Artist: Sufjan Stevens
At the end of 2015 I ranked Carrie & Lowell as my second favourite album of that year behind Father John Misty’s I Love You, Honeybear. That was a tough call as, honestly, there was less than a hair between my top 3 of that year. Even now, two and a half years later, it is incredibly difficult to rank them. However, there is absolutely no denying that Carrie & Lowell is an incredibly special album.
As someone who has been a loyal fan of Sufjan Stevens’ music for over a decade (and seen him live twice) a new album always produces a lot of excitement for me. With Carrie & Lowell it was even more so as it was a return to the folk roots that he abandoned for his previous album (The Age of Adz). Not only that, but this was going to be his most personal work to date. I couldn’t wait.
I was right to be excited. Carrie & Lowell is an album of outstanding beauty that has been created from Sufjan Stevens’ own pain and his love for both his mother and his step-father. There are still times where track from this album have the ability to make me feel tearful, and considering how many times I’ve played this album in the last 3 years that is no mean accomplishment.
As an album is an incredibly cohesive time capsule for a short period in Steven’s life. His lyrical quirks and asides (such as the line from ‘Eugene’ about his stepfather calling him “Subaru”) with the beautiful arrangements that are at times sparse and at others lush just make this whole album sound like sonic therapy.
At the centre of all this are two tracks which, somehow, were even better when I saw him play this album live: ‘Fourth of July’ and ‘The Only Thing’. The former is about a conversation between Stevens and his mother as she lay dying in hospital. It’s a story about how, in the face of death, they were able to properly communicate their feelings of unconditional familial love.
Then there’s ‘The Only Thing’. A song that, if you are someone who has ever had the misfortune to come face to face with part of you that seeks self-destruction, speaks a strange truth. In essence, it is a song about all the ways you imagine topping yourself, wondering how much you care if you end up surviving and finding a reason to carry on.
There’s a similar song on St Vincent’s amazing album MASSEDUCTION called ‘Smoking Section’. For her the reason to keep going is love, for Sufjan it’s the beauty that can be found in nature and his own faith in God. I cannot imagine how hard it must be sing a song like that every night when on tour – must be like continually prodding at an open would.
Then again Carrie & Lowell, as an album, is an open wound. It’s made of some of the most beautifully and brutally honest songs that I have ever heard. Hopefully this has been the catharsis he needed.