XL Popcorn – Blade Runner 2049

List Item: Watch all of the “1001 Movies You Must See Before You Die”
Progress: 911/1009Title: Blade Runner 2049
Director: Denis Villeneuve
Year: 2017
Country: USA

Turns out there is a bright spot in the capitalising on nostalgia trend of the last few years. Some of these have proven to be awful from the outset, but then you have Blade Runner 2049 which doesn’t just buck the trend – it launches it into the stratosphere. Since it has been nearly 10 years since I last saw the original Blade Runner, I thought it a good idea to refresh myself before seeing whether Villeneuve’s direction would be worthy of the legacy.

Never should have doubted him. Blade Runner 2049 is stunning and really should help to make the template on how a film that relies on an old classic intellectual property should be done. For one, it is very much in the world of Blade Runner – but it never seeks to tell the same story as the original. This is something that The Force Awakens got with so hard because it was winking so hard the whole time, but so often a retread completely fails.

Visually Blade Runner 2049 is beyond stunning. Roger Deakins deservedly won an Oscar for his work as cinematographer and the visual effects team clinched their own win. It would have been great to have seen more nominations for this film, like maybe Best Picture in place of Darkest Hourbut already you can see which one has the best legacy.

In terms of the storytelling this is a long film at 15 minutes shy of three hours. However, this is a film that not only has to bring people who haven’t seen the original up to scratch, but also has to explain 30 years of additional lore and then go into this complex parable of caste systems that reflect so much of the world today. It takes gigantic swings and I am so glad that the studio had the faith in the creative team to allow such a long cut to be released, despite people like Ridley Scott saying that they would have cut out 30 minutes.

Cut out none of it. Release more of it and turn it into a Das Boot style miniseries. This is the closest that I am going to get to a Fallout: New Vegas movie and it just left me wanting more. It’s brutal, beautiful and has brilliant moments courtesy of Ryan Gosling, Ana de Armas and Sylvia Hoeks as a brilliant villain.

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