Child’s Christmas in Wales – John Cale
Whilst sharing the name with a work by Welsh poet Dylan Thomas, John Cale’s song was inspired by it rather than set it to music. I guess like ‘Wuthering Heights’, but not as inspiring. Seriously though, having not done anything for this list in over three months.
It’s interesting to note that this is someone who worked for some serious big hitters back in the day and his album is on the 1001 Albums list… and that this appears to have been picked for the list as it is an accessible work. Honestly it was pretty milquetoast and is a bit of an odd choice for a list like this.
Solid Air – John Martyn
Whilst this is technically a folk song ‘Solid Air’ feels like a real oddball compared to a lot of the other folk out at the time. This is such a hodge-podge of different styles – some jazzy instrumentation, a bit of dreamy rock and such a chilled out feeling that it feels like this should be playing in the background of a cinematic sequence of people taking drugs and getting super mellow.
Not that all this is necessarily a bad thing, although I do wish I could understand what he was saying more of the time. Also worth noting that this song was dedicated to Nick Drake – who would die 18 months after this song was released. So sad.
I Know What I Like (in Your Wardrobe) – Genesis
Right, so I was disappointed that this song wasn’t about a man coming out to his wife about being a cross-dresser.
From the get-go this is a weird song in the tradition of psychedelic rock with the addition of spoken word elements. The topic is someone who is a lawnmower and is perfectly happy with this as a job despite what others say. Not entirely sure where the wardrobe comes into it – but I’m not going to press that too much.
It’s a very odd song as it combines the elements of psychedelia with more modern studio effects and an incredibly down-to-earth message. Did I like it? Honestly, I don’t really know.
Cum on Feel the Noize – Slade
I don’t think I’ve ever heard this song other than the choral chant – which I’ve never really liked. So imagine how weird it was to start on this song, realise how little of this I’ve actually heard and then end up really liking it.
In context this chorus is brilliant and works so well with the rest of the song as the high energy points, on it’s own it just feels a bit like something you’d hear chanted in a football stadium. This is the second time I’ve been pleasantly surprised by this style of rock – could this mean I may end up liking it.
Living for the City – Stevie Wonder
Why have I not listened to this song’s parent album yet. Innervisions is so high on my album list and this song is a reason why I should make that one of the next things I listen to and blog about. Stevie Wonder in this era was funk-soul magic and something I need to educate myself more in.
The version I listened to was the single edit, which cuts out the story element of the song whereby a black man escapes to New York City to try and leave behind his life of racial discrimination – only to be racially profiled by the police and sent to jail. I wish this message was ‘of the time’, but we really aren’t there yet.
I Can’t Stand the Rain – Ann Peebles
When this song started I thought I had a modern sampled version of it because of those electric timbales doing a distorted mimicry of raindrops. That must have been really weird and futuristic to hear back in 1973. That electronic riff really makes this song, and I love the sentiment of someone singing to bemoan the rain. It appeals to the British majority of my being.
Goodbye Yellow Brick Road – Elton John
Back when I listened to the Goodbye Yellow Brick Road album this was a song that struck a chord. It’s one of those songs that I have come back to again and again in the four years since. The rest of the album not so much, even though I did grow to love a lot of the songs on it.
I can’t quite pinpoint what makes this song so magical for me, but it’s something a lot of other people seem to feel as well.
Future Days – Can
For a krautrock band this is not what I expected. ‘Future Days’ is basically a precursor to ambient music and really feels like the grandfather of tracks from Air’s Moon Safari released some 35 years later (especially ‘Ce Matin La’).
I’ve been putting off Can’s entry from my album list (their earlier album Tago Mago) because I was expecting some heavier rock, but if it’s like this… then I think I’ll love it.