Oscar Bait – Vice / Green Book

Title: Vice
Director: Adam McKay
Year: 2018
Country: USA

Right, there’s no point mincing words here: Vice is one of the worst films that I’ve seen in years. In YEARS. I mean, I had trouble watching Fences but at least it had material for the cast to work with and the tour de force performance from Viola Davis to get me through. Not with Vice though, where I got an hour in and I couldn’t believe that I wasn’t even halfway towards the finish line.

Honestly, I thought that Bohemian Rhapsody was a shoo in for being my least favourite film in this batch of nominees. But no, Vice manages to eclipse that and it is all down to the choices that Adam McKay made. Here’s the thing, Dick Cheney’s life should have made for an engaging movie in the vein of House of Cards, but instead he goes for something far more flippant in an attempt to mimic the great The Big Short

In the end, this film just ends up being a boring mess which is a complete waste of Christian Bale and Amy Adams’ talents. As much as I hope Amy Adams one day wins an Oscar, please for the love of God do not let it be for this role in Vice. She should have won for Arrival over Emma Stone in La La Land – but that’s something for another time. Vice is such a drag to watch – I’m just glad to never have to see it again.

Title: Green Book
Director: Peter Farrelly
Year: 2018
Country: USA

And this is it, the final Best Picture nominee from this year’s Academy Awards. It’s one where I have probably heard the most conflicting opinions with a co-worker (whose taste I trust) seeing it in the cinema twice to hearing a film reviewer say that Viggo Mortensen’s acting is so broad that it has made them re-evaluate him as a performer. Quite a contrast.

The benefit of hearing such differing thoughts is that you really can go into a film and just take the film as it comes… which for the first half an hour was the fear that this was going to be another Vice. During this first section I got the criticism of Mortensen’s acting and I began to question how this film could ever be considered a comedy. Then Mahershala Ali came on screen and suddenly I began to enjoy the film.

There is no doubt that, at times, there are some issues with the film. The score tries to hard to highlight emotional moments that it can become overly sentimental. Some scenes and lines feel like they are reaching too hard to be Oscar worthy that it can be off-putting… as well as making you feel that they have been heavily fictionalised. In the end though, despite these problems, this is a good film that really flies as long as Mortensen and Ali’s characters are together. As much as I loved Adam Driver in BlacKkKlansman – the supporting actor Oscar deserves to, once again, rest in Ali’s hands.

So, where does this leave me with the final rankings. Honestly, this is not as strong a group as last year but that’s on the Academy for failing to nominate better films. These films were out there and eligible to be nominated, but that’s just how it goes. In the end, unless you are paid to do so, it’s difficult to think of people out there who can watch every single films in a given year that might be good enough for the award.

Anyway here are my ranking, for what it’s worth:

1) The Favourite
2) Roma
3) BlacKkKlansman
4) A Star Is Born
5) Green Book
6) Black Panther

7) Bohemian Rhapsody
8) Vice

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