I’m going to Singapore in a few months! I haven’t been this excited about a holiday destination since booking my honeymoon to Japan. We got a great deal on flights and a hotel, so we figured why not just go for it. As part of my preparations for this (and to keep some of this excitement in check because the trip isn’t for another 3 months) I thought it would be a good idea to become better acquainted with Singaporean culture.
Tatsumi came up as a film to watch because it’s one of Singapore’s submissions to the Foreign Language film section of the Academy Awards. I’ve only just come to realise that these submission lists are a fantastic resource to help me find films for this challenge… so watch out Tajikistan because you’ve made the list.
However, with Tatsumi I managed to find a Singaporean film that is in Japanese, set in Japan and about a Japanese man. It’s also another animated film. Still, the remit of this it to see films from 100 different countries so Tatsumi is a very welcome addition to the list.
So, who is the titular Tatsumi? Well (and I would have been able to answer this myself if I had gotten further with the comics list) he is major name in the manga scene and is credited with starting the more adult gekiga genre of manga (of which Lady Snowblood would be an example). The film itself takes on two roles, a brief autobiography of Tatsumi and a cinematic interpretation of five stories written by Tatsumi.
It is these stories that make up the bulk of the film and, ultimately contain the bulk of the emotional impact (other the sadness that Tatsumi died 4 years after making this film and he was still so full of ideas for the future). All the adapted stories are pretty much disturbing with endings that would make writers for The Twilight Zone proud. I’m not entirely sure what was worse – the ending of ‘Beloved Monkey’ or the ending of ‘Good-bye’. It’s a close run thing and I don’t want to dwell on it too much.
Tatsumi is an excellent exploration of an alternative creative mind. It’s not got the weirdness factor of Crumb. No, this film has heart and it cannot help but help you to appreciate people who are so driven by their creativity that they are able to make something different out of it that has made a lasting legacy.