This is it, the final batch of songs from 1970. This year has taken a weirdly long time to make my way through, but at least we’re here now.
Into the Mystic – Van Morrison
It’s been two and a half years since I listened to Moondance for the first time, and it’s a downright shame that I haven’t played it anytime since. With ‘Into the Mystic’ I felt myself being immediately being transported back to that sunny day when I listened to this album on my commute.
It’s a great example of folk done right. It tells of a mystical journey and uses the guitar and the horns to unfurl the feeling. It’s weirdly soothing and helps remind me why I liked the parent album so mucn.
Get Up (I Feel Like Being a) Sex Machine – James Brown
“You just don’t like him, do you?” That’s what my husband said to me as I was losing patience with this song as we reached the three minute mark. He’s right.
Whilst I can appreciate that in person James Brown had charisma, on a recording I find a 5 minute song that is just so repetitive to be pretty much unforgiveable. If this song was released now I would wager it would be seen as not even worthy of radioplay.
I know, I know, historical context. James Brown was a big influence and a pusher of his genre. However, when I think back to the work done by Sly and the Family Stone done back in 1969 on their album Stand!… well there’s no comparison.
Ohio – Crosby, Stills, Nash & Young
“Four dead in Ohio” is the refrain at the end of this powerful song about the Kent State shootings; where four students were gunned down by police during a protest against the Vietnam War.
This song was on the radio within a few weeks of the shooting, the lyrics really demonstrating the sense of anger and loss over what happened. At the end you can hear David Crosby breaking.
There are a number of protest and counter-culture songs on the 1001 list, but none so far have felt as raw as this one.
The Only Living Boy in New York – Simon & Garfunkel
It’s interesting that of all the songs on the iconic Bridge over Troubled Water album it is ‘The Only Living Boy in New York’ that appears on the 1001 songs list. I mean, there’s the obvious choice from that album… maybe even two. Then again, this is one of the great classic albums so you are spoilt for choice.
One thing that this list does well is find the songs that act as bridges between eras. You have ‘The Boxer’ and ‘Bridge over Troubled Water’ which are very much Simon & Garfunkel songs; then there’s ‘The Only Living Boy in New York’ which is where Simon & Garfunkel becomes Paul Simon.
It’s a beautiful song to end such an iconic duo on. Looking back is nice to see this bridge, but at the time the idea of going solo must have been terrifying for both of them. At least it worked out for both of them.
In a Broken Dream – Python Lee Jackson
Why is this on the list? Well, it’s an example of an early song with the vocals of Rod Stewart in a song that is a soft metal. Interesting to note that despite being first released in 1970, ‘In a Broken Dream’ didn’t chart until a re-release in 1972 due to the success of Rod Stewart’s later singles like ‘Maggie May’.
Rock at this time was in an awkward phase. It was still trying to cling on to the organs of the 1960s whilst bring in the guitar solos that would become a staple in the years to come. Makes for an interesting listen when doing this chronologically.
Oh Lonesome Me – Neil Young
After the Gold Rush is such a well received album that it perplexes me that they pick the only cover to appear in this list. The book itself says that this is the standout track from the album. They’re wrong. That song is ‘Only Love Can Break Your Heart’ and that’s all there is to it.
54-46 Was My Number – Toots & The Maytals
The moment I heard the ska beat starting I was ready to pack in any attempt to write about this song. But something weird happened, I actually started to like this song.
It’s about the wrongful imprisonment of the lead singer, who was framed by a promoter who didn’t want the tour to go ahead. The song tells this in a traditional call-and-response with the ska beats playing underneath. I don’t know why, but this song actually did this for me.
Working Class Hero – John Lennon
When I first heard ‘Working Class Hero’ last year, it struck me that he’s not a man who I could imagine swearing. Now I listen to this again… it’s fairly dull.
The emotions don’t work because he’s so far removed from who he is trying to connect with. He’s a man of priveledge who, whilst growing up in a working class family, has not been part of that demographic for most of his life. It’s like a Christian writing a song about the Holocaust – it all just rings false.
Box of Rain – The Grateful Dead
Here I am at the end of 1970. It’s a song that I would not have expected from a band whose name feels like it would make for an amazing metal band. Book, cover and all that jazz.
For such a well known band it is interesting to note that this album track is their only entry on the list. A song that is sung by their regular bassist Phil Lesh rather than lead singer Jerry Garcia.
‘Box of Rain’ is a touching folk song that feels like where Neil Young meets Simon & Garfunkel. It’s about Lesh’s father who was dying of terminal cancer and contains lyrics intrpreted from Lesh’s scat singing.
I wish I could say that this song had some profound effect on me… but it didn’t. Nice enough and it does make the connection, but that’s pretty much where this ends.