It’s safe to say that, according to the chronology of this list, we are now firmly in the renaissance. I say this because suddenly this has gone from music you’d expect to hear in a church to something that would form the soundtrack of computer games like Civilization or Crusader Kings II. Probably not the best place to be setting the bar, but these are my still touchstones of mine.
It’s so refreshing to be in the earliest reaches of the classical music list and finally come across something where I don’t have to listen to an hour of vocal harmonies engaged in a loudness war. Okay, that was harsh… but now that this list seems to be moving into the more instrumental territory, there is more incentive for me to pick up a copy on YouTube or Spotify and give it a go.
So, to give a bit of context to this, the composer of these classical pieces was blind from early childhood. Despite this difficulty he still found himself under the patronage of the Isabella of Portugal, the wife of Holy Roman Emperor Charles V. Thanks to both his talent and connections de Cabezón became one of the most important Spanish composers of this era.
Listening to these Diferencias is just feels so incredibly different to a lot of the music that has come before it. Maybe because this doesn’t feel like music that would have been played for religious ceremonies. Instead of vocals we have lute, clavichord and a woodwind instrument I can’t quite work out (I want to say fife, but I’m probably wrong).
This feels like music that would have set the scene at a formal gathering at court. I’m not sure whether this necessarily music that people would have attended a recital of but it was clearly known enough to influence the next composer on the list: Thomas Tallis