Just to start off, I have put off listening to White Light/White Heat for a few years because of how low it is on the list. It’s fairly precariously placed near the bottom and, as I write this, there is a decent chance that it will have fallen off by the time this is posted (in the end it didn’t, it actually went up by a lot)
Now, The Velvet Underground were a band that was all about experimenting. With their debut album The Velvet Underground & Nico they made an album that was experimental then, but due to it’s influence feels almost accessible to modern ears. Their follow-up, on the other hand, is a bit of a different story.
Where their debut album had a lot of beauty in their arrangements (see: ‘All Tomorrow’s Parties’) there is none of that in White Light/White Heat. Beauty and calculation have been traded in for distortion and improvisation. I guess this was a reaction to their firing of Andy Warhol as a producer and they decided to move in an opposite direction. It would make sense and explain where the nuance has gone.
It feels like it’s been too long since I last listened to an album where I physically and mentally had to exhale at the end. I’m not entirely sure if I liked it what I heard, but I know that this is something I want to give another listen to. Maybe it’s because of the sheer boldness to release this album that is pretty much based off of two days of jam sessions or because I want to see why an album that’s nearly off the cuff is higher than most other albums ever produced.