Excuse me, but I think I’m suffering from a bout of motet blindness. I think I am getting to the point with this classical list that I am starting to find it difficult to tell some of these earlier pieces apart. This isn’t a slight at any of the performers whose recordings of these pieces I have heard up to this point.
The thing is – when you have this sort of choral music it can be hard to distinguish between composers if months have passed between pieces. What I can tell from listening to Nicolas Gombert in isolation is that these motets are an example of polyphonic choral music – something that we didn’t have in some of the earlier pieces of music.
Other than that I’m out. The problem with this in particular is that there didn’t necessarily feel as if there was any underlying story or throughline for each of the motets. It just felt like voices coming in, choosing whether to harmonize or not.
Hey ho, as with 1001 it isn’t a guarantee that you’ll like all the stuff that’s early in the chronology. It just helps with that overall learning experience.