Sticking very much in 1967 after my last album. I was planning on knocking out one of the Oasis albums instead, but figured that since I was going on a long walk it would be better to listen to something with a little more life in it.
I always had a certain image of what Jefferson Airplane; mostly from what the spin-off groups became. When you think of songs like ‘We Built This City On Rock and Roll’ and ‘Nothing’s Gonna Stop Us Now’ you would be excused of expecting Surrealistic Pillow to be a bit twee. Also, while I am at it – it’s actually impressive that this group were still finding relevance and getting hits and award nominations some 20 years later.
Surrealistic Pillow is not twee. It’s inconsistent, yes, but not twee. In places it is some of the best music that I have heard coming out of the 1960s – well in two actually. There is a reason that ‘Somebody to Love’ and ‘White Rabbit’ are the tracks that are best remembered – they are exceptional.
I think most people my age will know ‘Somebody to Love’ from the cover by Boogie Pimps with that weird video of parachuting babies. For me, the thing that immediately came to mind was one of my favourite movies: A Serious Man. Needless to say, this song and the vocals from Grace Slick are both exemplary.
I’ve talked about ‘White Rabbit’ before – but I think it’s worth mentioning this song’s appearance in Futurama where it is sung by Richard Nixon’s head. Still cannot believe this song got away with all the drug references just because it hid them under the thin veil of Alice in Wonderland. Bravo Grace Slick, bravo.
The rest of the album is fine, but you come for the two Grace Slick solo songs. I think the inconsistency problem lies in that the writing credits are very spread out among the group. It makes it feel like the album, and therefore the group, doesn’t have a clear and consistent voice.