With a title as odd as Swordfishtrombones I am not sure why it took me so long to pick up this album and say: yes, this seems like the right time to listen to this. Having listened to it a few times (since this is definitely an album that needs that in order to sink in).
The term experimental is one that is banded about a lot when the word you really want to use is ‘odd’ or ‘weird’. All truth being told I think the last time I had an internal debate on the correct word to use was either Trout Mask Replica or Too Early/Too Late. So yes, this was a weird and experimental rock album.
However, this still begs the question of whether this album is one that I could actually enjoy. As much as I tried with the work of Captain Beefheart I was never able to make that leap from ‘what is this’ to ‘what IS this’. I got a bit further with Swordfishtrombones, but not yet far enough to make this album one of those albums I end up going back to (like Loveless or Psychocandy).
The thing is, there is enough here to give a listen once I have written this up. There is something in the strange arrangements, the use of horns and his rather dark brand of storytelling to make me come back. Sort of how I would imagine Nick Cave’s take on the first Goldfrapp album, which is then filtered through Captain Beefheart.
The cover made me expect something cabaret in style and what I am left with is wondering what he did to get his follow-up album, Rain Dogs, to a higher position on this list. Guess I’ll just have to find out for myself.